Comments on: Kyunki main bhi duffer hoon http://www.yazadjal.com/2005/06/03/kyunki-main-bhi-duffer-hoon/ Thu, 20 Nov 2008 09:49:59 +0000 http://wordpress.org/?v=2.0.1 by: ann http://www.yazadjal.com/2005/06/03/kyunki-main-bhi-duffer-hoon/#comment-17148 Mon, 12 Feb 2007 16:00:44 +0000 http://www.yazadjal.com/2005/06/03/kyunki-main-bhi-duffer-hoon/#comment-17148 hahahahahahahahahahahahahahahahahaha..............dat was sooooooo funny!! hahahahahahahahahahahahahahahahahaha…………..dat was sooooooo funny!!

]]> by: Prnj http://www.yazadjal.com/2005/06/03/kyunki-main-bhi-duffer-hoon/#comment-6459 Sun, 22 Jan 2006 07:35:52 +0000 http://www.yazadjal.com/2005/06/03/kyunki-main-bhi-duffer-hoon/#comment-6459 why is it that all Ekta vamps roll their eyes? If we can identify them just by looking at them, then why can't the tulsis and the parvatis? Are they that dumb? The Ansh killing scene in Kyunki took the cake! She employed every damn trick in the book! why is it that all Ekta vamps roll their eyes? If we can identify them just by looking at them, then why can’t the tulsis and the parvatis? Are they that dumb? The Ansh killing scene in Kyunki took the cake! She employed every damn trick in the book!

]]> by: Jabberwock http://www.yazadjal.com/2005/06/03/kyunki-main-bhi-duffer-hoon/#comment-3625 Tue, 30 Nov 1999 00:00:00 +0000 http://www.yazadjal.com/2005/06/03/kyunki-main-bhi-duffer-hoon/#comment-3625 Dude, were you not watching Hindi movies in the glorious 1980s, with the lightning and stuff during dramatic scenes? The three-slap trick and other cues for the dumb viewer are old hat. Dude, were you not watching Hindi movies in the glorious 1980s, with the lightning and stuff during dramatic scenes? The three-slap trick and other cues for the dumb viewer are old hat.

]]> by: Yazad http://www.yazadjal.com/2005/06/03/kyunki-main-bhi-duffer-hoon/#comment-3626 Tue, 30 Nov 1999 00:00:00 +0000 http://www.yazadjal.com/2005/06/03/kyunki-main-bhi-duffer-hoon/#comment-3626 Yes, but I was hoping against hope that we'd moved on. Plus most movies used the tricks maybe once or twice. The most dramatic scene. Here I suppose you'd see it thrice in half and hour. And every serial every day to boot. Yes, but I was hoping against hope that we’d moved on. Plus most movies used the tricks maybe once or twice. The most dramatic scene. Here I suppose you’d see it thrice in half and hour. And every serial every day to boot.

]]> by: mandar http://www.yazadjal.com/2005/06/03/kyunki-main-bhi-duffer-hoon/#comment-3627 Tue, 30 Nov 1999 00:00:00 +0000 http://www.yazadjal.com/2005/06/03/kyunki-main-bhi-duffer-hoon/#comment-3627 Maybe it (the repeats) is also another way of wasting time. I am sure these repeats help eat into some valuable time. That way the scriptwriter (or whoever writes the story for the episode) doesn't have to think of moving the story forward or adding another twist -- just repeat the same "dramatic" bit three times. And then an ad break. Maybe it (the repeats) is also another way of wasting time. I am sure these repeats help eat into some valuable time. That way the scriptwriter (or whoever writes the story for the episode) doesn’t have to think of moving the story forward or adding another twist — just repeat the same “dramatic” bit three times. And then an ad break.

]]> by: Abi http://www.yazadjal.com/2005/06/03/kyunki-main-bhi-duffer-hoon/#comment-3628 Tue, 30 Nov 1999 00:00:00 +0000 http://www.yazadjal.com/2005/06/03/kyunki-main-bhi-duffer-hoon/#comment-3628 Yazad, the Tamil serials are even worse. In a 'family scene' that typically has about half a dozen people, every key piece of dialogue -- and there are quite a few of these in each episode -- is followed by a close-up of the reaction of each individual in a sequence, and many times this sequence is repeated. Worse, each close-up lingers a bit. I think it is just a technique to stretch things, so that each 'normal' episode becomes at least two 'megaserial' episodes. Yazad, the Tamil serials are even worse. In a ‘family scene’ that typically has about half a dozen people, every key piece of dialogue — and there are quite a few of these in each episode — is followed by a close-up of the reaction of each individual in a sequence, and many times this sequence is repeated. Worse, each close-up lingers a bit. I think it is just a technique to stretch things, so that each ‘normal’ episode becomes at least two ‘megaserial’ episodes.

]]> by: harini calamur http://www.yazadjal.com/2005/06/03/kyunki-main-bhi-duffer-hoon/#comment-3629 Tue, 30 Nov 1999 00:00:00 +0000 http://www.yazadjal.com/2005/06/03/kyunki-main-bhi-duffer-hoon/#comment-3629 lol:) it is supposed to increase dramatic tension in a scene. but a more cynical view is that if you have to repeat the same scene thrice - then you are actually producing less. in an industry where every single charge is by the per hour rate - that's a lot of savings! ekta's inspiration is all those terrible & garish ramoji rao movies her dad acted in - tohfa, mawali etal! so its' little wonder that she uses their shooting style as well lol:)
it is supposed to increase dramatic tension in a scene.
but a more cynical view is that if you have to repeat the same scene thrice - then you are actually producing less. in an industry where every single charge is by the per hour rate - that’s a lot of savings!
ekta’s inspiration is all those terrible & garish ramoji rao movies her dad acted in - tohfa, mawali etal! so its’ little wonder that she uses their shooting style as well

]]> by: Sibyl http://www.yazadjal.com/2005/06/03/kyunki-main-bhi-duffer-hoon/#comment-3630 Tue, 30 Nov 1999 00:00:00 +0000 http://www.yazadjal.com/2005/06/03/kyunki-main-bhi-duffer-hoon/#comment-3630 Obviously, she hasn't heard of Stanislavsky. Having just completed an drama class in which it was brought home to us that we must believe and be believable without the aid of any external objects (costumes, sets, etc), I am anxious to see examples of this in the Indian scene. Picking on a different point, *of course* you've never seen an atheist on her serials. There are no atheist Indian women remember? Obviously, she hasn’t heard of Stanislavsky. Having just completed an drama class in which it was brought home to us that we must believe and be believable without the aid of any external objects (costumes, sets, etc), I am anxious to see examples of this in the Indian scene.

Picking on a different point, *of course* you’ve never seen an atheist on her serials. There are no atheist Indian women remember?

]]> by: MadMan http://www.yazadjal.com/2005/06/03/kyunki-main-bhi-duffer-hoon/#comment-3631 Tue, 30 Nov 1999 00:00:00 +0000 http://www.yazadjal.com/2005/06/03/kyunki-main-bhi-duffer-hoon/#comment-3631 <blockquote>There are no atheist Indian women remember? </blockquote> And <i>that</i> is a darn tragedy. Been looking all over for 'em. :(

There are no atheist Indian women remember?

And that is a darn tragedy. Been looking all over for ‘em. :(

]]> by: Nitin http://www.yazadjal.com/2005/06/03/kyunki-main-bhi-duffer-hoon/#comment-3632 Tue, 30 Nov 1999 00:00:00 +0000 http://www.yazadjal.com/2005/06/03/kyunki-main-bhi-duffer-hoon/#comment-3632 sorry off topic, MadMan, They believe in God because they need to hold someone responsible for creating Indian men :-) sorry off topic,

MadMan,

They believe in God because they need to hold someone responsible for creating Indian men :-)

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